The Place of Art History and the Crisis of the Conference

Authors

DOI:

https://doi.org/10.11606/issn.2178-0447.ars.2021.186662

Keywords:

Globalism, Covid-19, History of the Conference, Art and Art History

Abstract

This essay considers the ways in which Covid-19 has accelerated the crisis of the conference – for our purposes generally understood as a scientific-academic meeting. The pandemic has added a new dimension – the epidemiological – to economic, social and ecological criticisms that were already being formulated with regard to this type of event. On the other hand, conferences had, since the 19th century, a central role in the creation of a global network of academic development and cooperation. With the recent upsurge of denialist and xenophobic positions worldwide, it is imperative to preserve and even expand supranational interchanges. This essay seeks to draft possible alternatives to the traditional format of conferences, paying special attention to the fields of art and art history.

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Author Biography

  • Maria Berbara, Universidade do Estado do Rio de Janeiro (UERJ), Brazil

    Maria Berbara é professora de história da arte na Universidade do Estado do Rio de Janeiro. Especializou-se em arte italiana e ibérica produzida entre os séculos XV e XVII, assim como em história cultural, globalismo na primeira época moderna e intercâmbios intelectuais no mundo atlântico. Atualmente, pesquisa a história da França Antártica, a imagem global dos Tupinambá e a relação entre arte, doenças e processos de conversão no mundo atlântico durante a primeira modernidade.

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Published

2021-11-29

How to Cite

Berbara, M. . (2021). The Place of Art History and the Crisis of the Conference. ARS, 19(42), 295-314. https://doi.org/10.11606/issn.2178-0447.ars.2021.186662