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Vol. 17 No. 36 (2019)
Vol. 17 No. 36 (2019)
Published:
2019-08-31
Full Issue
PDF (Portuguese)
Visual essays
Ensaio visual
Célia Euvaldo
11 - 19
PDF (Portuguese)
Articles
Mário Pedrosa and Portinari
Notes on a Forgotten Text
Tadeu Chiarelli
21 - 40
PDF (Portuguese)
Painting and Portinari
Mário Pedrosa
41- 44
PDF (Portuguese)
In The Raw
Denise Ferreira da Silva; Janaína Nagata Otoch
45 - 56
PDF (Portuguese)
On the Marble Cafe Table, a Cannibal Delicacy
Perspectives of the Eye, between Walter Benjamin and Georges Bataille
Marcelo Jacques de Moraes
57 - 78
PDF (Portuguese)
Indeterminate Configurations
an Analysis of the Diagram and Blot as Anamorphic Deployments in Hans Bellmer's Work
Alexandre Rodrigues da Costa
79 - 97
PDF (Portuguese)
The End of Art, the Contemporaneity, the Origin of the Archive
Artur de Vargas Giorgi
99 - 116
PDF (Portuguese)
The Reason of the Rythm
Series, Processology and the Architecture of Conceptual Art
Stéphane Huchet
117 - 134
PDF (Portuguese)
On the Notion of Three Spaces in Cinema
Cristian Borges
135 - 143
PDF (Portuguese)
Mangue Bangue, Film-Limit
Theo Costa Duarte
145 - 173
PDF (Portuguese)
Andy Warhol and the cinema as truth machine
Calac Nogueira
175 - 190
PDF (Portuguese)
White Elephant
Urban Space, Ruins and Violence
Natalia Christofoletti Barrenha
191 - 216
PDF (Portuguese)
Philosophical Considerations on the Concept of Living and Visiting in the Tanztheater Wuppertal Artistic Residences
Marcelo de Andrade Pereira, Ana Paula Parise Malavolta
217 - 234
PDF (Portuguese)
Six texts by Jannis Kounellis
Jimson Vilela
235 - 251
PDF (Portuguese)
Dialogues with Graduation
Absorption, Theatricality and the French Painting Tradition in Henri Matisse’s Work
Ilê Sartuzi
253 - 269
PDF (Portuguese)
Art, power and tradition
Tiradentes Palace and the construction of a political and republican Brazilian imaginary
Douglas de Souza Libório
271 - 287
PDF (Portuguese)
Can the photograph capture the gesture?
Fernanda Birolli Abrahão
289 - 301
PDF (Portuguese)
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