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Vol. 18 No. 38 (2020)
Vol. 18 No. 38 (2020)
Published:
2020-04-30
Full Issue
PDF (Portuguese)
Visual essays
Anteparos
Alline Nakamura
11 - 26
PDF (Portuguese)
Articles
Humanity and criticism by Harun Farocki
an analysis of recurring themes in the montage of the documentary Prison Images
Antonio Carlos Vargas Sant'Anna, Flávia Person
79 - 105
PDF (Portuguese)
You won’t recognise the fruits for their taste
Arthur Omar and his films in the 1970s and 1980s
Natalia Belasalma de Oliveira
43 - 77
PDF (Portuguese)
Once upon a time in the Westworld
Luiz Carlos Oliveira Junior
107 - 137
PDF (Portuguese)
Artist’s Shit beyond iconoclasm
Icaro Ferraz Vidal Junior
139 - 165
PDF (Portuguese)
Institutional Experimentations in the Barcelona Museum of Contemporary Art (MACBA) and its directors: between autonomy andrcelona Museum of Contemporary Art (MACBA) and its directors
between autonomy and conflict
Nicole Marziale
167 - 195
PDF (Portuguese)
Art History and Other Stories
Luiza Esper Berthoud
197 - 217
PDF
From the poster to the mural
Bramante Buffoni and the Italian-Paulista Environment of the 1950s
Patrícia Martins Santos Freitas
219 - 239
PDF (Portuguese)
Conjuring the Dead
Jacques-Louis David, Artist of the Time to Come
Alberto José Colosso Sartorelli
241 - 265
PDF (Portuguese)
The utopia of the monument-book
contamination between photography, cinema, writing, and the press in the Russian avant-garde reverberated in the Benjaminian theory
Vitor Marcelino
267 - 295
PDF (Portuguese)
We publish to find comrades
Amir Brito Cadôr
297 - 313
PDF (Portuguese)
Translations
Mudança no MoMA
Hal Foster
315 - 327
PDF (Portuguese)
Regimes escópicos da modernidade
Martin Jay; Lara Rivetti
329 - 349
PDF (Portuguese)
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