DRAMAS DA ESCRAVATURA E O EXOTISMO DO COMÉRCIO NEGREIRO, DO INDIGENATO E DO DARWINISMO SOCIAL NA OBRA DE EMÍLIO SALGARI – PARTE 2

Authors

  • Alberto Oliveira Pinto Universidade de Lisboa

DOI:

https://doi.org/10.11606/issn.1981-7169.crioula.2008.54045

Keywords:

Loango, Exoticism, Trade of Slaves, Abolitionism, Indigenism, Social Darwinism, Hybridity, Culture, Race, Eugenization of Africa

Abstract

PUBLISHED IN 1896, DRAMAS OF SLAVERY IS THE ONLY NOVEL BY EMILIO SALGARI ABOUT A NOT ISLAMIC SUB-SAHARAN AFRICA. WE AIM TO ANALYZE SOME OF THE REPRESENTATIONS OF EMILIO SALGARI’S IMAGINARY: THE ABOLISHMENT OF TRADE OF SLAVES AND SLAVERY AND THE CONSEQUENT PASSAGE OF THE SLAVE TO THE CONDITION OF “INDIGENE”; THE RACIALIZATION OF CULTURES OR RACIAL DETERMINISM AS A LEGITIMATOR OF THE EXPLOITING COLONIALISM; THE PERSISTENT DICHOTOMIC VISION ABOUT THE AFRICAN MAN AS A “GOOD WILD MAN” OR AS A “BAD WILD MAN”; AND FINALLY THE MYTH OF “HYBRIDITY” OR MESTIZAGE.

Downloads

Download data is not yet available.

Author Biography

  • Alberto Oliveira Pinto, Universidade de Lisboa
    Mestre e Doutorando em História de África da Faculdade de Letras da Universidade de Lisboa (FLUL).

Published

2008-11-01

How to Cite

DRAMAS DA ESCRAVATURA E O EXOTISMO DO COMÉRCIO NEGREIRO, DO INDIGENATO E DO DARWINISMO SOCIAL NA OBRA DE EMÍLIO SALGARI – PARTE 2. (2008). Revista Crioula, 4. https://doi.org/10.11606/issn.1981-7169.crioula.2008.54045