Samuel Beckett: de Dramaturgo a Encenador

Abstract

This article aims to investigate the course of Samuel Beckett as director of his own theatre plays, from an analysis of aspects of the staging process of Krapp’s last tape, directed by Beckett in 1969 at the Schiller-Theater Werkstatt in Berlin. The reflection will have as a starting point Beckett’s relationship with the theatrical staging, from his first contact accompanying processes of creation of renowned directors such as Roger Blin, and the transition of observer and adviser of projects of other directors to director, taking as its premise a careful aesthetic rigour on the dramaturgic material and on the transposition of this material to the stage, from the particularities relating to the work of interpretation of the actors and the theatrical staging, namely the tension between text and scene