Collective singing and choral music: a study on Mozambican vocal music

Abstract

The objective of this article is to characterize the practices of collective singing and choral music in Mozambique. Based on several studies, we deal with the makwayela, the Revolutionary Songs and the choral movement in Maputo, covering specific groups, such as the Majescoral, and events, such as the Fest Coros,. We also approach the principles that guide the creation and execution of repertoires sung polyphonically, including those linked to harmony and vocal conduction. The results indicate that the act of singing together in Mozambique predates the colonial era and the establishment of Christian churches and that collective singing has its typical elements, which develop within a social context. In addition, we observe that programs such as Fest Coros and the work of various public and private institutions help in the massification of choral singing in the country. Finally, we conclude that this type of investigation increases the visibility of Mozambican choral practice in other contexts, expanding the possibilities of performance of choirs, conductors and vocal coaches.