Exhibition and meaning: an analysis of the Cambodian prisoners portraits

Authors

  • Daniela Bracchi Federal University of Pernambuco, Brazil.

DOI:

https://doi.org/10.11606/issn.2316-7114.sig.2016.102981

Keywords:

photography, portrait, analisys levels, semiotics

Abstract

This article discusses the differences in photo exhibitions as production of different ways of understanding the images. The example of the portraits of political prisoners in Cambodia is the starting point for understanding that the exhibition choices relating to these images can value them in a political and artistic sense. Is presented therefore different levels of analysis that organize best the reflection on the image analysis and its expographic context.


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Author Biography

  • Daniela Bracchi, Federal University of Pernambuco, Brazil.
    Professor at the design graduation in the Federal University of Pernambuco.

References

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DONDERO, M; BASSO FOSSALI, P. Sémiotique de la photographie. Limoges: PULIM, 2011.

FLOCH, J. Les Formes de L'empreinte. Périgueux: Pierre Fanlac, 1987.

FREIRE, Cristina. Poéticas do processo: arte conceitual no museu. São Paulo: Iluminuras, 1999.

MADER, H. Na antessala da morte: retratos do genocídio do Cambodja. IN: ZUM: Revista de Fotografia. Vol.1.São Paulo: Instituto Moreira Salles, 2011, p.30.

O’DOHERTY, B. No interior do cubo branco: a ideologia do espano na Arte. São Paulo: Martins Fontes, 1999 (original inglês de 1976).

SONTAG, S. Ensaios Sobre Fotografia. Lisboa: Dom Quixote, 1986.

Published

2016-08-22

How to Cite

Exhibition and meaning: an analysis of the Cambodian prisoners portraits. (2016). Significação: Journal of Audiovisual Culture, 43(45), 83-95. https://doi.org/10.11606/issn.2316-7114.sig.2016.102981