Exhibition and meaning: an analysis of the Cambodian prisoners portraits
DOI:
https://doi.org/10.11606/issn.2316-7114.sig.2016.102981Keywords:
photography, portrait, analisys levels, semioticsAbstract
This article discusses the differences in photo exhibitions as production of different ways of understanding the images. The example of the portraits of political prisoners in Cambodia is the starting point for understanding that the exhibition choices relating to these images can value them in a political and artistic sense. Is presented therefore different levels of analysis that organize best the reflection on the image analysis and its expographic context.
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Copyright (c) 2016 Daniela Bracchi
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