Marcuse, the Great Refusal and cinema after May 68: an approximation
DOI:
https://doi.org/10.11606/issn.2316-7114.sig.2018.141990Keywords:
political cinema, French cinema, avant-garde cinema, May 68Abstract
This article proposes to apply the Great Refusal, a key-concept in the studies of German philosopher Herbert Marcuse, to the film production that was inspired by the événements of May 68. The article is based on the short film Actua 1 (1968), directed by Philippe Garrel, Serge Bard and Patrick Deval and its use of travelling. In this film, travelling is used as a tool to emancipate the spectator who faces a unidimensional society that castrates him.
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Referências bibliográficas
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Referências audiovisuais:
ACÉPHALE. Patrick Deval, França. 1968.
ACTUA 1. Philippe Garrel, Serge Bard, Patrick Deval, França. 1968.
DÉTRUISEZ-VOUS. Serge Bard, França. 1968
LE révélateur. Philippe Garrel, França-Alemanha. 1968.
UN film comme les autres (Um filme como os outros). Jean-Luc Godard, França. 1968.
WEEK-END (Week-end à francesa). Jean-Luc Godard, França. 1967.
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