Paulo Emílio and the formation of historical studies of cinema in Europe
DOI:
https://doi.org/10.11606/issn.2316-7114.sig.2019.147896Keywords:
Paulo Emílio, film criticism, film historyAbstract
This article aims to show how Paulo Emílio Sales Gomes participated in the formation of the historical studies of cinema in Europe when carrying out the research on Jean Vigo, on which he delineates some reflections on the critical and historical reception of his films from sources of research, such as books, journals and film magazines, in order to understand dissension and continuity between the critiques in the heat of the moment, the memories of those who had been contemporaries, and the intensifying historical critique in the 1940s and 1950s in Europe. By commenting on the bibliography produced in the period, Paulo Emílio will improve an action strategy focused on the formation of historical cinema studies in Brazil.
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