Paris 1900 and Le souvenir d’un avenir: the present and the future of images
DOI:
https://doi.org/10.11606/issn.2316-7114.sig.2021.168468Keywords:
Documentary, Archive, Memory, Nicole Vedrès, Chris Marker, Yannick BellonAbstract
This article explores two compilation films, Paris 1900 (Nicole Vedrès, 1946) and Le souvenir d’un avenir (Chris Marker and Yannick Bellon, 2001), with the purpose of making a comparative analysis focusing particularly on the way both films, in approaching the same themes, places their enunciative strategies in the sense of creating in the viewer the sensation of a double layered temporality of the images. The methodology is based on film analysis and discourse analysis. It also employs theories by Bazin, Didi-Huberman, Rancière and works on reemployment of found footage in films.
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VEDRÈS, N. “Les Feuilles bougent”. In: Paris 1900. Direção: Nicole Vedrès. Roteiro: Nicole Vedrès. França, 1946. Produção: Pierre Braunberger. Paris: Doriane Films, 2018. DVD: 82 min, PAL, 4/3, mono, p&b. Livreto do DVD.
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Referências filmográficas
LEVEL FIVE (Nível cinco). Chris Marker, França, 1997.
LE SOUVENIR D’UN AVENIR (A lembrança de um futuro). Chris Marker, França, 2001.
PARIS 1900. Nicole Vedrès, França, 1946.
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