O filme Capote: abordagens sobre os espaços público e privado

Authors

  • Carla Reis Longhi Universidade Paulista

DOI:

https://doi.org/10.11606/issn.2316-7114.sig.2006.65621

Keywords:

Private and public spaces, Human condition.

Abstract

The author o f the article analyses the relationships between priva te and public spaces in twenty century as represented in the film Capote. The triangle ofthe author- fact- literary work established in this film entrances a dialogue with Hannah Arendt and Jurgen Habermas, leading to a better comprehension ofthe meantioned spaces and the consequences o f these conceptions in human condition.

Downloads

Download data is not yet available.

Downloads

Published

2006-06-23

Issue

Vol. 33 No. 25 (2006)

Section

Articles

License

Copyright (c) 2006 Carla Reis Longhi

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.

Authors who publish in this journal must agree with the following terms:

  1. Authors keep their copyrights and grant the journal first time publication rights, having their articles simultaneously licensed under the Creative Commons Attribution License, which allows sharing texts with authorship recognition and first publication on this journal for non-commercial purposes.
  2. Authors are allowed to make additional contracts, for a non-exclusive distribution of the article’s version published on this journal (e.g.: publishing in institutional repositories of articles or as a book chapter), with authorship recognition and first publication on this journal.

How to Cite

O filme Capote: abordagens sobre os espaços público e privado. (2006). Significação: Journal of Audiovisual Culture, 33(25), 53-67. https://doi.org/10.11606/issn.2316-7114.sig.2006.65621