Close encounters Brazil and Argentina: Adhemar Gonzaga in Buenos Aires
DOI:
https://doi.org/10.11606/issn.2316-7114.sig.2013.71669Keywords:
Film history, Brazilian cinema, Argentine cinema, Hollywood.Abstract
This paper focuses on the relations between the cinematography of Argentina and the cinematography of Brazil in the 1930s and 1940s, with the central axis Adhemar Gonzaga’s visit to Buenos Aires in 1934 and the contacts established there. The paper also discusses the tour of Hollywood star Ramón Novarro in South America, one of the motivations of the trip of Gonzaga.
Downloads
Download data is not yet available.
Downloads
Published
2013-12-25
Issue
Section
Dossier
License
Copyright (c) 2013 Arthur Autran
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Authors who publish in this journal must agree with the following terms:
- Authors keep their copyrights and grant the journal first time publication rights, having their articles simultaneously licensed under the Creative Commons Attribution License, which allows sharing texts with authorship recognition and first publication on this journal for non-commercial purposes.
- Authors are allowed to make additional contracts, for a non-exclusive distribution of the article’s version published on this journal (e.g.: publishing in institutional repositories of articles or as a book chapter), with authorship recognition and first publication on this journal.
How to Cite
Close encounters Brazil and Argentina: Adhemar Gonzaga in Buenos Aires. (2013). Significação: Journal of Audiovisual Culture, 40(40), 13-28. https://doi.org/10.11606/issn.2316-7114.sig.2013.71669