Time, painting, and politcs in Godard’s Passion

Authors

  • Roberta Veiga

DOI:

https://doi.org/10.11606/issn.2316-7114.sig.2013.71681

Keywords:

Godard, Passion, time, painting, politics.

Abstract

As in a reverse engineering, I try to reconstruct the design of the mechanism of Jean-Luc Godard’s Passion (1982). The analysis proceeds by decomposing the main axes of the film: time, painting, and politics. I aim here to demonstrate how different themes, when combined, can make the movie both an aesthetic and a political happening.

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Author Biography

  • Roberta Veiga

    Doutora em comunicação social pela Universidade Federal de Minas Gerais e professora do Departamento de Comunicação da mesma instituição. Foi pesquisadora e professora visitante da University of Texas at Austin (de 2010 a 2011). É editora da revista Devires - Cinema e Humanidades e participa do grupo de pesquisa “Poéticas da Experiência” (UFMG). E-mail: roveigadevolta@gmail.com

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Published

2013-12-25

Issue

Vol. 40 No. 40 (2013): Dossiê: História e Audiovisual

Section

Articles

License

Copyright (c) 2013 Roberta Veiga

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How to Cite

Time, painting, and politcs in Godard’s Passion. (2013). Significação: Journal of Audiovisual Culture, 40(40), 208-223. https://doi.org/10.11606/issn.2316-7114.sig.2013.71681