Mise-en-abyme of the culture: the space behind the camera in Pi’õnhitsi and Mokoi Tekoá Petei Jeguatá
DOI:
https://doi.org/10.11606/issn.2316-7114.sig.2013.71683Keywords:
Pi’õnhitsi, Mokoi Tekoá Petei Jeguatá, indigenous cinema, “culture”, reversibility.Abstract
Through the analysis of two documentaries — Pi’õnhitsi e Mokoi Tekoá Petei Jeguatá —, the article suggests the constitutive nature of the “antecampo” (the space behind the camera) in the indigenous films. It is the space in which the director enacts a double and interchangeable role: within the scene, as a member of the community, and out of the scene, as a filmmaker. Then, we unfold the hypothesis that, through the exposition of the “antecampo”, the indigenous cinema expresses, by mise-en-abyme, the engendering between culture and “culture”.
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Copyright (c) 2013 André Brasil
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