Ornato e despojamento no mundo fabril

Authors

  • Telma de Barros Correia Universidade de São Paulo; Instituto de Arquitetura e Urbanismo

DOI:

https://doi.org/10.1590/S0101-47142011000100002

Keywords:

Factory Architecture, Working-class Sections, Eclecticism, Historicism, Ornament, Bareness

Abstract

The article examines some aspects of the architecture created for factories - warehouses, houses, churches, schools, clubs etc. -, built in Brazil between the two last decades of the nineteenth century and early of the twentieth century. The research relies on extensive inventory, the basis on which an analysis effort is realized that aims to identify the themes and predominant use of ornament applied to constructions produced by factories, the historicist references mobilized and eventual disruption of typological architectural signs, and, ultimately, the elimination of ornament and of those signs. Therefore, on one side, it deals with the penetration of the eclectic language in these buildings, by examining the formal repertoire used in different typologies. On the other side, it deals with simultaneous diffusion of a typical manufacturing aesthetic, based on notions of economy, efficiency, utility and functionality. It shows how such notions are expressed in either a simplification or the lack of ornament, sometimes in the use of ornament whose themes relate to the world of machines, sometimes in the detachment or abandonment of embodied architectural typological signs, or even the use of industrially produced materials that have spread from mainly the architecture of factories.

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Published

2011-06-01

Issue

Section

Material Culture Studies

How to Cite

CORREIA, Telma de Barros. Ornato e despojamento no mundo fabril . Anais do Museu Paulista: História e Cultura Material, São Paulo, v. 19, n. 1, p. 11–80, 2011. DOI: 10.1590/S0101-47142011000100002. Disponível em: https://www.periodicos.usp.br/anaismp/article/view/5542.. Acesso em: 13 may. 2024.