Avatars of the written word: notation as a narrative possibility in Levrero, Molloy y Kamenszain
DOI:
https://doi.org/10.11606/issn.2317-9651.v0i10p208-239Keywords:
Mario Levrero, Sylvia Molloy, Tamara Kamenszain, notes/ narrative, experienceAbstract
Writing the present: making a note of it. According to our hypothesis, that seems to be the place where some texts converge: notes as a narrative possibility and as a manifestation of being willing to write. The present paper addresses this issue by examining three books we consider exemplary: Tamara Kamenszain’s La novela de la poesía, Mario Levrero’s La novela luminosa and Sylvia Molloy’s Desarticulaciones. Within the boundaries of self-writing, these works are in an undefined threshold, between memory forms and its fictionalisation modes, between notes and narrative. Although there are some clear aesthetical and tradition differences among these authors, this paper aims to explore the characteristics these texts share: in the face of the desire and the impossibility of novelizing, notes emerge as a narrative possibility.Downloads
References
Barthes, Roland. La preparación de la novela. México: Siglo XXI Editores, 2005.
Bataille, Georges. La felicidad, el erotismo y la literatura. Ensayos 1944-1961. Buenos Aires: Adriana Hidalgo editora, 2008.
Blanchot, Maurice. El espacio literario. Madrid: Editora Nacional, 2002.
______________. El libro por venir. Madrid: Arena Libros, 2005.
Foffani, Enrique. “Tamara Kamenszain: La poesía como novela luminosa”, en Kamenszain, Tamara. La novela de la poesía. Buenos Aires: Adriana Hidalgo Editora, 2012.
Gandolfo, Elvio (comp.) Mario Levrero. Un silencio menos. Buenos Aires: Mansalva, 2013.
Garramuño. “La prosa de la poesía”. In: Mundos en común: ensayos sobre la inespecificidad en el arte. Buenos Aires: Fondo de Cultura Económica, 2015.
Kamenszain, Tamara. La novela de la poesía, en La novela de la poesía. Buenos Aires: Adriana Hidalgo editora, 2012.
________________“Narrarse a sí mismo, versificar al otro. Los casos Molloy- Kamenszain”, conferencia en USP 2012, In: https://www.youtube.com/watch?v=SqDE6SODRG4
Kanzepolsky, Adriana. Nas margens da morte. Tamara Kamenszain: escrita e luto. En prensa.
__________________. “Su ‘acumulación primitiva’: Desarticulaciones de Sylvia Molloy”. In: Hispámerica 129, 2014, 23-32.
Lacoue-Labarthe, Philippe. La poesía como experiencia. Madrid: Arena Libros, 2006.
Levrero, Mario. Diario de un canalla- Burdeos/1972. Buenos Aires: Mondadori, 2013.
____________ Irrupciones. Buenos Aires: Criatura Editora, 2013.
____________ La novela luminosa, Buenos Aires: Mondadori, 2010.
Molloy, Silvia. En breve cárcel. Buenos Aires: Fondo de Cultura Económica, 2011.
___________ Desarticulaciones. Buenos Aires: Eterna Cadencia, 2010.
Oviedo, Matías Borg. La literatura como forma de lo común: una aproximación a dos novelas de Mario Levrero. Trabajo Final de Licenciatura, Escuela de Letras, FFyH/UNC, Córdoba, 2014.
Saer, Juan José. Juan José Saer por Juan José Saer. Buenos Aires: Editorial Celtia, 1986.
Downloads
Published
Issue
Section
License
Authors who publish in this journal agree to the following terms:
- Authors retain copyright and grant the journal the right of first publication, with the work simultaneously licensed under a Creative Commons Attribution License, which permits the dissemination of the work with recognition of authorship and initial publication in this journal.
- Authors are allowed to enter into additional contracts separately for non-exclusive use of the version of the work published in this journal (such as publication in an institutional repository or as a book chapter), with recognition of authorship and initial publication in this journal.
- Authors are allowed and encouraged to publish and distribute their work online (e.g., in institutional repositories or on their personal page) at any point before or during the editorial process, as this can generate productive changes, as well as increasing the impact and citation of the published work (see The effect of open access…).
