Non-verbal communication in the Slam: the case of Dani Orviz

Authors

  • Diana Cullell University of Liverpool
  • Noèlia Díaz-Vicedo University of London

DOI:

https://doi.org/10.11606/issn.2317-9651.i21p246-270

Keywords:

Poetry Slam, Contemporary Poetry, Communication, Non-verbal Communication, Kinesics

Abstract

Poetry slams employ a highly complex communicative apparatus that comprises both verbal and non-verbal messages –and the latter are rarely considered in literary studies. This article will offer a multidisciplinary approach, making use of kinesics, non-verbal communication studies and performance studies, aiming to fill in a crucial gap in current studies of slam poetry. The article will use the three performances by Dani Orviz in the Grand Poetry Slam 2020 as case study. This world championship took place online due to the Covid-19 pandemic, and the impact of the internet on performance poetry will also be considered in the piece. The article and its analysis will aim to offer a more cohesive and complete study of slam poetry as a discourse and as a cultural product to be able to insert within the field of Spanish contemporary poetry more effectively.

Downloads

Download data is not yet available.

Author Biographies

  • Diana Cullell, University of Liverpool

    Catedrática de literatura española
    en la Universidad de Liverpool
    (Reino Unido). Ha publicado sobre
    numerosos autores y movimientos
    poéticos contemporáneos, con un
    especial interés en nuevas formas de
    poesía, la representación del cuerpo
    en la literatura y el mercado poético
    de los últimos 30 años.

  • Noèlia Díaz-Vicedo, University of London

    Poeta y doctora en Queen Mary
    University of London. Ha publicado
    sobre diversos autores de
    poesía contemporánea castellana,
    catalana y anglófona, con especial
    interés en las teorías de género
    e identidad y la relación entre
    cuerpo y lenguaje. Entre sus publicaciones
    destacan Constructing
    Feminine Poetics in the Works of
    a Late Twentieth-Century Catalan
    Woman Poet: Maria-Mercè Marçal
    (2014).

References

Bagué Quílez, Luis. “Atrapados en la red: los mundos virtuales en la poesía española reciente.” In: Kamchatka, 11, 2018, 331-49.

Burgoon, Judee K. “Nonverbal Signals.” In: Knapp, Mark L. & Gerard R. Miller (org.). Handbook of Interpersonal Communication. Thousand Oaks: Sage, 1994, 229-285.

Burgoon, Judee K. & Aaron E. Bacue. “Nonverbal Communication Skills.” In: Greene, John O. & Brant R. Burleson (org.). Handbook of Communication and Social Interaction Skills. Mahwah, NJ: Lawrence Erlbaum Associates Publishers, 2003, 179-219.

Carlson, Marvin. “Environmental Space.” In: Counsell, Colin & Laurie Wolf (org.). Performance Analysis: An Introductory Coursebook. Londres: Routledge, 1994, 170-76.

Cullell, Diana. “Covid-19 y poesía: Confinamiento de la lírica y su propagación durante la pandemia.” En: Paraíso. Revista de poesía, 17, 2020, TBC.

Cullell, Diana. “¿De lo bélico a lo poético? El Poetry slam y su lucha feroz en defensa de la poesía.” In Kamchatka, 11, 2018, 239-57.

Cullell, Diana. La perfopoesía española en el siglo XXI: una revolución poética. Madrid: Amargord, 2019.

Cullell, Diana. “(Re-)Locating Prestige: Poetry Readings, Poetry Slams and Poetry Jam sessions in Contemporary Spain.” In: Hispanic Research Journal, 16, 6, 2015, 547-61.

Fanjul, Sergio C. “Poetas contra raperos.” In: El País, 18 abril 2013.

Font i Espí, Marçal. “Escritura a viva voz.” En: Quimera: Revista de Literatura, 380-381, 2015, 25-28.

Ge, Jesús. “Momento actual de la poesía oral.” In: Quimera: Revista de Literatura, 380-381, 2015, 50-51.

Gilbert, Helen. “Orality.” In: Counsell, Colin & Laurie Wolf (org.). Performance Analysis: An Introductory Coursebook. Londres: Routledge, 1994, 116-23.

Knapp, Mark L. “An Historical Overview of Nonverbal Research.” In: Manusov, Valerie & Miles L. Patterson (org.). The Sage handbook of nonverbal communication. Thousand Oaks, CA: Sage Publications, Inc, 2006, 3-19.

Kreider, Kristen. “Material Poetics and the ‘Communication Event’.” In: A Journal of the Performing Arts, 20, 1, 2015, 80-89.

Martínez Cantón, Clara Isabel. “El auge de la nueva poesía oral. El caso del poetry slam.” In: Castilla, Estudios de Literatura, 3, 2012, 385-401.

Mex Glazner, Gary. “Poetry Slam: An Introduction.” In: Mex Glazner, Gary (org.). Poetry Slam: The Competitive Art of Performance Poetry. San Francisco: Manic D Press, 2000, 11-12.

Mezquita, Nuria & Antonio García Villarán (org.). Perfopoesía: sobre la poesía escénica y sus redes. Sevilla: Cangrejo Pistolero Ediciones, 2012.

Mora, Vicente Luis. El lectoespectador. Barcelona: Seix Barral, 2012.

Novak, Julia. Live Poetry: An Integrated Approach to Poetry in Performance. Amsterdam: Rodopi, 2011.

Parks, Malcolm R. “Communicative Competence and Interpersonal Control.” In: Knapp, Mark L. & Gerard R. Miller (org.). Handbook of Interpersonal Communication. Thousand Oaks: Sage, 1994, 589-618.

Poyatos, Fernando. “La formación académica sobre los libros y la lectura a través de los estudios de comunicación no verbal.” In: Didáctica: Lengua y Literatura, 22, 2010, 277-96.

Poyatos, Fernando. Nonverbal Communication across Disciplines. Amsterdam; Philadelphia, Pa.: J. Benjamins Pub. Co., 2002.

Rodríguez-Gaona, Martín. La lira de las masas: Internet y la crisis de la ciudad letrada. Una aproximación a la poesía de los nativos digitales. Madrid: Páginas de Espuma, 2019.

Sanchez, Rebecca. “«Human Bodies Are Words»: Towards a Theory of Non-Verbal Voice.” In: CEA Critic, 73, 3, 2011, 33.

Schaefer, Heike. “Poetry in Trasmedial Perspective: Rethinking Intermedial Literary Studies in the Digital Age.” En: Acta Universitatis Sapientiae, Film and Media Studies, 10, 2015, 169-82.

Somers-Willett, Susan B. A. The Cultural Politics of Slam Poetry: Race, Identity, and the Performance of Popular Verse in America. Ann Arbor: University of Michigan Press, 2009.

Tuan, Yi-Fu. “Enacting space.” In: Counsell, Colin & Laurie Wolf (org,). Performance Analysis: An Introductory Coursebook. Londres: Routledge, 1994, 156-64.

Turk, Christopher. Effective Speaking: Communicating in Speech. Londres: Chapman and Hall, 1985.

Venter, Elza. “Challenges for Meaningful Interpersonal Communication in a Digital Era.” In: Hervormde Teologiese Studies, 75, 2019, 1-6.

Downloads

Published

2021-06-25

Issue

No. 21 (2021): Dossiê: Mapas da poesia hispânica

Section

Dossier

License

Copyright (c) 2021 Diana Cullell, Noèlia Díaz-Vicedo

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.

Authors who publish in this journal agree to the following terms:

  1. Authors retain copyright and grant the journal the right of first publication, with the work simultaneously licensed under a Creative Commons Attribution License, which permits the dissemination of the work with recognition of authorship and initial publication in this journal.
  2. Authors are allowed to enter into additional contracts separately for non-exclusive use of the version of the work published in this journal (such as publication in an institutional repository or as a book chapter), with recognition of authorship and initial publication in this journal.
  3. Authors are allowed and encouraged to publish and distribute their work online (e.g., in institutional repositories or on their personal page) at any point before or during the editorial process, as this can generate productive changes, as well as increasing the impact and citation of the published work (see The effect of open access…).

How to Cite

CULLELL, Diana; DÍAZ-VICEDO, Noèlia. Non-verbal communication in the Slam: the case of Dani Orviz. Caracol, São Paulo, Brasil, n. 21, p. 246–270, 2021. DOI: 10.11606/issn.2317-9651.i21p246-270. Disponível em: https://www.periodicos.usp.br/caracol/article/view/175828.. Acesso em: 17 may. 2024.