Ana Harcha Cortés. Poetic-dramaturgical project: practices, procedures and effects
DOI:
https://doi.org/10.11606/issn.2317-9651.i22p74-98Keywords:
Dramaturgies, Scene, Poetic-dramaturgic project, Bio-political archive, Harcha CortésAbstract
In this article we’re analyzing one of the first dramatic texts of Chilean author Ana Harcha Cortés proceeding from the reading keys built in our doctoral thesis “Contemporary Practices: writing for scene (between the fable, the action and the poetic voice)” (2020). This framing is organized according to the category of poetic- dramaturgic project that authors make known through their practices and dramaturgic thoughts: procedural, metatheatrical and metapoetic; and concerning, also, the construction of a bio-political archive, that accounts for living memory, always updated, and pertaining to each artist’s utopian project. We highlight the actuality of the selected practice’s political project dating from 1999 and its poetic effects.
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