Appearances, insistences, silences: cuirizar a writing, rarify the format
DOI:
https://doi.org/10.11606/issn.2317-9651.i25p189-204Keywords:
Writing, Queer theory, Philosophy, Narration, TheoryAbstract
In this paper I propose a journey that seeks to insist on the question about how the cuir operates, as val flores puts it, while I try to combine a writing practice in which both, theory and life, intersect themselves. To do this, I take into account Diego Falconí Trávez's cuy(r) critique, with which I play to compose my own enunciation landscape, as well as other drifts that stress the queer/cuir problem regarding its uses in the ass of the world. This supposes, more than a contribution to the development of these theories, an intention of detention that allows us to produce more kindred narratives, also taking up some considerations of Duen Sacchi about writing as a colonial production.
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