Narratives with images. Cinema, literature and photography
DOI:
https://doi.org/10.11606/issn.2317-9651.v0i15p362-393Keywords:
Fotografia, Literatura, Teoria da Imagem, Cultura, Júlio CortázarAbstract
How may we read the visual image together with the text as experimental studies on culture? Which narratives emerge from the in-between zone of image and word? This article considers these fundamental questions and intends to point out the relation between image and literature taking as a main reference Julio Cortázar’s works and its experimentations. It is important to notice that, by setting this particular type of narrative, he suggests not only a hybridization of forms, but also alternative practices of theory and methodology for its interpretation. This article takes advantage of photography and cinematography theories, as they are closer of the production of images in culture. We conclude that an interdisciplinary strategy provides the best mediums for understanding the hybrid text of image and writing. Furthermore, it is necessary to incorporate these elements to literary theory.
Downloads
References
Barthes, Roland (2009): La cámara lúcida: Notas sobre la fotografía. Paidós Comunicación: Buenos Aires, 2009.
Bataille, Georges (2006) El erotismo. Buenos Aires: Tusquets Editores.
Benjamin, Walter (1989): Charles Baudelaire: Um lírico no auge do capitalismo. (Obras Escolhidas). 1º Ed. Brasiliense. São Paulo.
___ Sobre la Fotografía. Pre- España: Texto, 2008.
Cisneros, José. “Reseña” En: Julio Cortázar, Territorios. Mexico: Siglo XXI, 1978 (P. 311-315).
Charney, Leo (Org.). O cinema e a invenção da vida moderna. 2ª Ed. São Paulo: Cosac & Naif, 2004.
Cortázar, Julio. La vuelta al día en ochenta mundos .Buenos Aires: Siglo XXI, 1967.
___ Buenos Aires, Buenos Aires. Buenos Aires: Editorial Sudamericana,1968
___ “Carta a Roberto Fernández Retamar.” Cartas 1969-1983. Ed. Aurora Bernárdez. 1579-80. Impreso. Vol. 3 de Cartas 1937-1983. Buenos Aires: Alfaguara, 2000.
___ Territorios. México: Siglo XXI, 2002.
___ Último round. Buenos Aires: Siglo XXI Editores, 2009a.
___ Último round. Buenos Aires: Siglo XXI Editores, 2009b.
Dávila, María de Lourdes. Desembarcos en el papel. La imagen en la literatura de Julio Cortázar. Argentina: Beatriz Viterbo Editora, 2001.
Deleuze, Gilles. La imagen-movimiento. Estudios sobre cine 1 & 2.España: Paidós Comunicación, 1983.
Deren, Maya. An anagram of ideas. In: Filme Culture, nº 39, 1965.
Dubois, Phillipe. O Ato fotográfico. 13ª Ed. Papirus. Campinas. 2010.
Ferreira, Ermelinda. Violência, voyeurismo e cultura. in: Linguagens da Violência. Rio de Janeiro: Editora Rocco, 2000.
Ledesma Pedraz, Manuela.Consideraciones sobre la presencia del erotismo en la literatura y presentación del seminario. En: Seminario 98/99. Erotismo y literatura. España: Universidad de Jaen, 2000.
Manzi, Joaquín. “Cuerpo escrito, cuerpo a la vista”. En: Varcálcel, Carmen (org):Escribir el cuerpo: 19 asedios desde la literatura hispanoamericana. España, 2003
Metz, Christian. A significação no cinema. 2º ed. São Paulo: Ed. Perspectiva, 1977.
Rama, Ángel. La ciudad letrada. Montevideo: Arca, 1998.
Recht, Roland. L’atlas Mnémosyene de Aby Warburg. Frane: L’acharchillé, 2012.
Sánchez García, Remedios. (Ed.) Un título para Eros. Erotismo, Sensualidad y Sexualidad en la literatura. España: Ed. Universidad de Granada, 2005.
Sarlo, Beatriz. Una modernidad periférica: Buenos Aires 1920-1930. Buenos Aires: Nueva Visión, 2003.
Schollhammer, Karl Erik . ““Blow Up” – A Incerteza do sentido entre o visível e o dizível”. In: Além do dizível: O olhar da literatura. Rio de Janeiro: 7 Letras, 2007.
Sontag, Susan. On Photography. New York: RosettaBooks, 2005.Xavier, Ismail. O discurso cinematográfico: A opacidade e a transparência. 3ª São Paulo: Ed. Paz e Terra, 2005.
Downloads
Published
Issue
Section
License
Copyright (c) 2018 Lucía Caminada Rossetti, Rodrigo Ribeiro Vitorino
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Authors who publish in this journal agree to the following terms:
- Authors retain copyright and grant the journal the right of first publication, with the work simultaneously licensed under a Creative Commons Attribution License, which permits the dissemination of the work with recognition of authorship and initial publication in this journal.
- Authors are allowed to enter into additional contracts separately for non-exclusive use of the version of the work published in this journal (such as publication in an institutional repository or as a book chapter), with recognition of authorship and initial publication in this journal.
- Authors are allowed and encouraged to publish and distribute their work online (e.g., in institutional repositories or on their personal page) at any point before or during the editorial process, as this can generate productive changes, as well as increasing the impact and citation of the published work (see The effect of open access…).
