José María Arguedas and knowing how to dance History

Authors

  • Yazmín López Lenci Universidade Federal da Integração Latino-Americana - UNILA

DOI:

https://doi.org/10.11606/issn.2317-9651.v1i9p292-315

Keywords:

Andean narrative, Arguedas, music and dance, history and Andean culture, decolonization.

Abstract

The present paper analyzes the narrative proposal of the Latin-American writer, anthropologist and musicologist José María Arguedas, who offers an alternative historicity, constructed from the vital dynamic the bodies, knowledge and the subjectivities mobilize. They constitute their place and region in the Andean area. Based on the indigenous rebellions that took place in southern Peru, we are going to analyze the relations between music, dance and the construction of the political subject. The paper also examines the genealogy of these aspects in Arguedas’ narrative work and the questions that highlight not only the tensions but also the possible encounters that could repair deep fractures and historical interruptions.

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Author Biography

  • Yazmín López Lenci, Universidade Federal da Integração Latino-Americana - UNILA

    Profesora Investigadora. Programa de Posgrado Interdisciplinario en Estudios Latinoamericanos PPG IELA. Instituto Latinoamericano de Arte, Cultura e Historia - ILAACH

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Published

2015-11-13

How to Cite

LENCI, Yazmín López. José María Arguedas and knowing how to dance History. Caracol, São Paulo, Brasil, v. 1, n. 9, p. 292–315, 2015. DOI: 10.11606/issn.2317-9651.v1i9p292-315. Disponível em: https://www.periodicos.usp.br/caracol/article/view/98668.. Acesso em: 18 may. 2024.