Direct cinema and event-word: Brazilian documentary and social research in the 1960s.

Authors

  • Rosana Elisa Catelli Universidade Estadual de Campinas

DOI:

https://doi.org/10.11606/issn.2595-2536.v22i2p75-94

Keywords:

Documentary, Direct cinema, Sociological analysis, Audiovisual, Interview.

Abstract

This article discusses the direct cinema in the 1960s. Since thedevelopment of equipment that allowed synchronous recording of image andsound taken outdoors. It establishes relations between Brazilian films in theperiod and social research undertaken in São Paulo. It analyzes the importanceof registration of the word in Brazilian documentary and in social sciences anddescribes an experiment that unified research and audiovisual, in a projectdeveloped in Santa Brigida, Bahia, by researchers from the University of SãoPaulo.

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Author Biography

  • Rosana Elisa Catelli, Universidade Estadual de Campinas
    Pós-doutoranda no Instituto de Artes da Universidade Estadual de Campinas, UNICAMP e doutora em Multimeios pela UNICAMP. Esse texto éresultado da pesquisa “A UNESCO e o cinema documentário no Brasil (1945-1975)”, que está sendo realizadacom bolsa de pós-doutorado FAPESP.

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Issue

Vol. 22 No. 2 (2011)

Section

Dossiê Amazônia

How to Cite

Catelli, R. E. (2011). Direct cinema and event-word: Brazilian documentary and social research in the 1960s. Cadernos CERU, 22(2), 75-94. https://doi.org/10.11606/issn.2595-2536.v22i2p75-94