Cinema, Memories, Story: reconstruction of himself and the other in “FOTOGRAFÍAS” of ANDRÉS DI TELLA film from the perspective of Walter Benjamin

Authors

  • José Walter Nunes Universidad de Buenos Aires

DOI:

https://doi.org/10.11606/issn.2595-2536.v22i2p171-186

Keywords:

Movie narrative. Memory. Experience. Identity.

Abstract

The movie La televisión y yo of the argentine filmmaker Andrés DiTella opens way for his family memories, setting a story in which his father’sside is involved. On the other hand, the movie Fotografías goes deeply in thisprocess on the motherly side. He and his mother are the protagonists of this story told in first person, a plot that allows a back and forth between private and public memoriesand stories uncovering wide social relationships. In this article, which is part of myresearch on the narrative of the film this director, I intend to explore the dimensions ofthe self and the other, articulating them with the issues of memory, experience andidentity, from the Benjamin perspective of history.

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Author Biography

  • José Walter Nunes, Universidad de Buenos Aires
    Este artículo es uno de los resultados de mis actividades de posdoctorado realizadas en el Instituto de Artes de lEspectáculo, de la Facultad de Filosofia y Letras de la Universidad de Buenos Aires/UBA, con beca de laCoordenação de Aperfeiçoamento de Pessoal de Nivel Superior/CAPES, del Ministério da Educação do Brasil.El autor es profesor de la Universidad de Brasília/UnB, en el Programa de Pós-Graduação en História, delInstituto de Ciencias Humanas y en el Programa de Pos-Graduação en Desenvolvimento, Sociedade e CooperaçãoInternacional, del Centro de Estudos Avançados Multidisciplinares/CEAM

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Issue

Section

Dossiê Amazônia

How to Cite

Nunes, J. W. (2011). Cinema, Memories, Story: reconstruction of himself and the other in “FOTOGRAFÍAS” of ANDRÉS DI TELLA film from the perspective of Walter Benjamin. Cadernos CERU, 22(2), 171-186. https://doi.org/10.11606/issn.2595-2536.v22i2p171-186