Sete palavras sobre mil imagens

Abstract

The testimony of Fernando Scavone rebuilds his relationship with photography since the objects he lived with. His familiarity with out of use machines, which he dismantled, originated the intimacy that would determine the orientation to the field where he would act as a professional. The narration of this trajectory mixes the child curiosity and the discovering process. Gradually, childhood and youth memories interweave with the history of photography camera’s and photography’s technological development, in a tracing where the reality suggested by the visible fusion between the picture and the object gives place, with the digital system and the consequent reduction of costs, to the visibility of image manipulation resources and to the “conscience of the environment” in the photography production.