Hero and Crowd Interactions in the Iliad
DOI:
https://doi.org/10.11606/issn.2177-4218.v1i1p57-70Keywords:
Iliad, Identities, Social Interactions, History of the CrowdsAbstract
This paper presents a study of the relation betwe en hero and crowd in the Iliad . The merge of the concept of identity with the theatric metaphor suggested by Goffman to the study of social interac tion is the leading point of view. The focus of analysis was given to the characters speeches regarding the expected role of the heroes, as well as the scenes that gives emphasis to the actor/audience relation. Finally, a discussion of the material repercussions of the identitary disputes in the interior of the society pictured by the poem is presented.
Downloads
Downloads
Published
Issue
Section
License
Responsibility for the content published by Mare Nostrum rests exclusively with the author(s) of such content.
The reproduction of the texts published by Mare Nostrum is licensed according to Creative Commons license Attribution-NonCommercial 4.0 International (CC BY-NC).
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).