Desconstrução, opacidade e desmemória: a re-invenção da fotografia na prática contemporânea
DOI:
https://doi.org/10.11606/issn.2316-7114.sig.2007.65646Keywords:
Photography, Semiotic, AestheticAbstract
The text intends to point out to a transformation in the universe of photography that exceeds technic dimensions. One is about a deeper mutation occuring in the statute ofthe photographic image, that is, in the singular way it produces senses. Historically, photography was always related to the idea o f speculate mimesis. The contemporaries workmanships, however, place in game a larger and more complex conception of mimesis. The photographic sign represents, but it is, also it, an object, an intentional and subjective construto. Through operations of deconstruction, of interference and opacity, these workmanships not only turn clear the mediatic constitution of the photography but also recreate it.Downloads
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Published
2007-06-23
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Copyright (c) 2007 Osmar Gonçalves Reis Filho
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How to Cite
Desconstrução, opacidade e desmemória: a re-invenção da fotografia na prática contemporânea. (2007). Significação: Journal of Audiovisual Culture, 34(27), 89-99. https://doi.org/10.11606/issn.2316-7114.sig.2007.65646