A geometria barroca do destino
DOI:
https://doi.org/10.11606/issn.2316-7114.sig.2011.70892Keywords:
Cinema, Literature, Image and sound, Narrator, TranspositionAbstract
Analysis of the reading that the film Lavoura arcaica (2001), by Luiz
Fernando Carvalho, makes of the novel by Raduan Nassar (1975),
with emphasis on the differences that arise in conducting a project
marked by the line between writer and filmmaker. In the film,
there is the strong presence of the narrator’s voice “over”, which
transposes the passages of the Raduan’s text. In the novel, the word is
sovereign, in the film, it must interact with the mise-en-scène, image
and sound make up a new dynamic, which defines the originality
of the filmmaker's choices and their conception of family tragedy.
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Copyright (c) 2011 Ismail Xavier
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