Communication in conflict in Alejandro González Iñárritu cinema: ethos and documental fictionality

Authors

  • Cláudio Coração Unip

DOI:

https://doi.org/10.11606/issn.2316-7114.sig.2013.71680

Keywords:

Communication, conflict, González Iñárritu, ethos, documental fictionality.

Abstract

This article intends to identify aspects related to the problem of communication in Alejandro González Iñárritu cinema — fundamentally the movies Amores perros (2000), 21 grams (2003) e Babel (2006). Through the theoretical interface of culture, communication and audiovisual, cathegories like: ethos, diversity and documental fictionality will be treated in the esthetic perspective of González Iñárritu cinema, as well as in their representation of contemporary. 

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Author Biography

  • Cláudio Coração, Unip

    Doutor em comunicação: meios e processos audiovisuais pela Escola de Comunicações e Artes da Universidade de São Paulo. Mestre em comunicação pela Universidade Estadual Paulista. Graduado em comunicação social/jornalismo pela Unesp. Professor dos cursos de comunicação social da FIB (Faculdades Integradas de Bauru) e da Universidade Paulista, campus Bauru. Coordenador auxiliar do curso de Jornalismo da Unip, campus Bauru. Membro do grupo de pesquisa MidiAto na ECA-USP. Autor do livro “Repórter-Cronista em confronto” (Annablume; Fapesp, 2012). E-mail: claudiocoracao@ig.com.br

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Published

2013-12-25

Issue

Vol. 40 No. 40 (2013): Dossiê: História e Audiovisual

Section

Articles

License

Copyright (c) 2013 Cláudio Coração

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How to Cite

Communication in conflict in Alejandro González Iñárritu cinema: ethos and documental fictionality. (2013). Significação: Journal of Audiovisual Culture, 40(40), 189-207. https://doi.org/10.11606/issn.2316-7114.sig.2013.71680