“Mas tu dizes palavras sem sentido / e esqueces-te de mim”: the limits of the tragic subjectivity and the failed alterity in Fernando Pessoa’s Fausto
DOI:
https://doi.org/10.11606/va.v0i32.126003Keywords:
Fernando Pessoa, Faust, drama, tragedy, subjectivity, othernessAbstract
This paper aims to present traces of limit-dialectics "I-Thou" in the relationship between Fausto and Maria into the Fernando Pessoa’s drama. Whereas in the J. W. Goethe's Faust the love appears as one of the redemptive elements of the German tragic hero, in the work of Fernando Pessoa it may be comprehended as unattainable element, and therefore trigger the aggravation of existential crisis of the Portuguese Faust. The potency subjectivity in Pessoa’s antihero is intensified insofar as its otherness capacity empties into the loving failure.Downloads
Downloads
Published
Issue
Section
License
Copyright (c) 2017 Rodrigo Alexandre Xavier
![Creative Commons License](http://i.creativecommons.org/l/by/4.0/88x31.png)
This work is licensed under a Creative Commons Attribution 4.0 International License.
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).