Ficções televisivas: deslocamentos e rupturas

Abstract

In 1974, Raymond Williams launched, on Television, intriguing questions about a new world, constituted by a new media, capable of gathering sound and image and modifying cultural repertoires wherever he was. He said at the time that "in most parts of the world, since the spread of television, there has been an unprecedented increase in the scale and intensity of dramatic representation in the history of human culture." Exactly twenty years later, Rodowick recognized the emergence of an “audiovisual culture” in everyday life, affected by corporations and consumption patterns. At that time, when technological evolution was already announcing itself in a very agile way, it listed questions about consumer relations, representations and experiences that emerged in a new context, in which digital videos in multimedia publications or even electronic publications on the internet started to be made available to the public.