Immersion in sound images: sound and its real and imaginary dimensions

Authors

  • Damyler Ferreira Cunha School of Communication and Arts of the University of São Paulo (ECA-USP), Brazil.

DOI:

https://doi.org/10.11606/issn.1982-677X.rum.2011.51221

Keywords:

Acousmatic sound, out-of-the-field, noise.

Abstract

This text discusses the use of out-of-the-field noise as an expressive scenic force in Paz Encina’s movie Hamaca Paraguaya (2006), and Lucrécia Martel’s movies La Ciénaga (2001) and La Mujer sin Cabeza (2008). This noises’ modulation and their insertion in the field of action as sudden sounds create to the spectator an expectation of some new situation which is not revealed in the shown image. There is incongruence between what is seen and what is heard on screen.

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Author Biography

  • Damyler Ferreira Cunha, School of Communication and Arts of the University of São Paulo (ECA-USP), Brazil.

    Master's candidate at the PostGraduate Programme in Media and Audiovisual Practices of the School of Communication and Arts of the University of São Paulo (ECA-USP), Brazil. Bachelor in Communication Studies (Radio and Television) from the State University of Goiás (UFG), Brazil.

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Published

2011-06-18

Issue

Vol. 5 No. 9 (2011)

Section

Especial

License

Declaro a total e irrestrita cessão de direitos autorais sobre o texto enviado para publicação na Rumores – Revista Online de Comunicação, Linguagem e Mídias. Entendo que o conteúdo do artigo é de minha inteira responsabilidade, inclusive cabendo a mim a apresentação de permissão para uso de imagens, ilustrações, tabelas, gráficos de terceiros que, porventura, venham a integrá-lo.

How to Cite

Immersion in sound images: sound and its real and imaginary dimensions. RuMoRes, [S. l.], v. 5, n. 9, 2011. DOI: 10.11606/issn.1982-677X.rum.2011.51221. Disponível em: https://www.periodicos.usp.br/Rumores/article/view/51221.. Acesso em: 16 may. 2024.