Bossa Nova, ruler and compasses: notes on Brazilian music criticism

Authors

  • Marildo José Nercolini Fluminense Federal University (UFF), Brazil.

DOI:

https://doi.org/10.11606/issn.1982-677X.rum.2011.51230

Keywords:

Criticism, Brazilian music criticism, Bossa Nova.

Abstract

The present essay ponders about the criticism over massive music in Brasil, focusing on the period between the late 50’s and the 60’s. The hypothesis we raise is that the parameters build in such criticism in terms of aesthetic-musical values have become hegemonic in the course of the subsequent years, having the Bossa Nova and especially João Gilberto stand out in the process. To that intent we have first theorized on the matter of criticism in general, concentrating later on the analysis of the indicated period and the presented hypothesis.

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Author Biography

  • Marildo José Nercolini, Fluminense Federal University (UFF), Brazil.

    Professor at the Cultural Studies Department and at the PostGraduate Programme of the Fluminense Federal University (UFF), Brazil. mjnercolini@gmail.com.

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Published

2011-06-18

Issue

Vol. 5 No. 9 (2011)

Section

Dossier

License

Declaro a total e irrestrita cessão de direitos autorais sobre o texto enviado para publicação na Rumores – Revista Online de Comunicação, Linguagem e Mídias. Entendo que o conteúdo do artigo é de minha inteira responsabilidade, inclusive cabendo a mim a apresentação de permissão para uso de imagens, ilustrações, tabelas, gráficos de terceiros que, porventura, venham a integrá-lo.

How to Cite

Bossa Nova, ruler and compasses: notes on Brazilian music criticism. RuMoRes, [S. l.], v. 5, n. 9, 2011. DOI: 10.11606/issn.1982-677X.rum.2011.51230. Disponível em: https://www.periodicos.usp.br/Rumores/article/view/51230.. Acesso em: 16 may. 2024.