Sofia Coppola and Marie-Antoinette: a contemporary perspective on rococo

Authors

  • Maria Cristina Mendes Tuiuti University of Paraná (UTP), Brazil.

DOI:

https://doi.org/10.11606/issn.1982-677X.rum.2011.51243

Keywords:

Communication, movies, art, society, culture.

Abstract

This article deals with the relationship between the film Marie Antoinette and the Rococo style. In a contemporary point of view, the director Sofia Coppola offers a new perspective for this aesthetic school, considered by some critics as the late Baroque period. The soundtrack based in songs of the 1980`s presents a familiar setting to a massive audience. Anchored in the performance of the actress Kirsten Dunst, emerges a different way of looking at the personality of the dauphine. Relationships with Pop Art help the public to identify themselves with the narrative.

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Author Biography

  • Maria Cristina Mendes, Tuiuti University of Paraná (UTP), Brazil.

    Master candidate at the PostGraduate Programme in Communication and Language of the Tuiuti University of Paraná (UTP), Brazil. Bachelor in Painting (1984) from EMBRAP/PR. crismendes01@hotmail.com.

     

Published

2011-06-18

Issue

Section

Articles

How to Cite

Sofia Coppola and Marie-Antoinette: a contemporary perspective on rococo. RuMoRes, [S. l.], v. 5, n. 9, 2011. DOI: 10.11606/issn.1982-677X.rum.2011.51243. Disponível em: https://www.periodicos.usp.br/Rumores/article/view/51243.. Acesso em: 16 may. 2024.