On artistic impurity: approaching cinema, music and painting at the final scene of Zabriskie Point

Authors

  • Eduardo Harry Luersen Pontifical Catholic University of Rio Grande do Sul (PUC-RS), Brazil.

DOI:

https://doi.org/10.11606/issn.1982-677X.rum.2012.51297

Keywords:

Movies, painting, popular music, imaginary, experimentalism.

Abstract

In this article we investigate the dialogues across different art forms surrounding the film production, specifically the film Zabriskie Point, by director Michelangelo Antonioni. We seek to understand how the filmmaker can increase his imaginary repertoire from visual arts and how it can make use of different art languages in the construction of its own way of expressing a view of the world.

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Author Biography

  • Eduardo Harry Luersen, Pontifical Catholic University of Rio Grande do Sul (PUC-RS), Brazil.
    Master's candidate Pontifical Catholic University of Rio Grande do Sul (PUC-RS), Brazil. Capes Scolarship. Bachelor in Graphic design from the State University of Pelotas (2010). edluersen@gmail.com

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Published

2012-08-06

Issue

Vol. 6 No. 11 (2012)

Section

Articles

License

Declaro a total e irrestrita cessão de direitos autorais sobre o texto enviado para publicação na Rumores – Revista Online de Comunicação, Linguagem e Mídias. Entendo que o conteúdo do artigo é de minha inteira responsabilidade, inclusive cabendo a mim a apresentação de permissão para uso de imagens, ilustrações, tabelas, gráficos de terceiros que, porventura, venham a integrá-lo.

How to Cite

On artistic impurity: approaching cinema, music and painting at the final scene of Zabriskie Point. RuMoRes, [S. l.], v. 6, n. 11, p. 200–219, 2012. DOI: 10.11606/issn.1982-677X.rum.2012.51297. Disponível em: https://www.periodicos.usp.br/Rumores/article/view/51297.. Acesso em: 13 may. 2024.