From cinematographic images to the proposal of a study of the portrayal of Brazilian Indigenous peoples
DOI:
https://doi.org/10.11606/issn.2316-9125.v17i2p145-150Keywords:
National cinema, Indigenous people, National literature, Colonization.Abstract
This article analyzes the various ways of portraying Brazilian indigenous peoples in the national cinematography, with special attention to Hans Staden, a film by Luis Alberto Pereira (1999), and Caramuru, The Invention of Brazil(Caramuru, A Invenção do Brasil) by Guel Arraes and Jorge Furtado (2001). Using these productions, the author considers the forms of cultural domination over the Brazilian native peoples.Downloads
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