Vol. 43 No. 46 (2016)

Presentation

Apresentação

Eduardo Victorio Morettin, Irene de Araújo Machado

11-14
- PDF (Portuguese)

Articles

Pedagogies of cinema: montage

Cezar Migliorin, Elianne Ivo Barroso

15-28
- PDF (Portuguese)
For a critical archeology of images in Aby Warburg, André Malraux and Jean-Luc Godard

Gabriela Machado Ramos Almeida

29-46
- PDF (Portuguese)
Women behind the lens: the female presence on cinematography in Brazilian movies

Marina Cavalcanti Tedesco

47-68
- PDF (Portuguese)
The face and voice as suffering inscriptions in two road movies

Gustavo Souza da Silva

69-84
- PDF (Portuguese)
By the face, we read the man: physiognomy in film

Pedro Maciel Guimarães

85-105
- PDF (Portuguese)
Body and voice in the contemporary cinema: considerations about Spike Jonze’s movie Her (2013)

Henrique Codato

106-125
- PDF (Portuguese)
Scenes at stake: the exacerbation of ambiguity

Renato Tardivo

126-144
- PDF (Portuguese)
People as an intruder in Neighboring Sounds

Júlio César Alves da Luz, Alessandra Soares Brandão

145-156
- PDF (Portuguese)
The nostalgia of the 1950’s in the American cinema of the 1980’s: cases of Back to the Future and Blue VelvetThe nostalgia of the 1950's in the audiovisual culture in the Reagan Era: The Cases of Back to the Future and Blue Velvet

Laura Loguercio Cánepa, Rogério Ferraraz

157-178
- PDF (Portuguese)
Visual Studies and an analysis proposal for the (tele)visualities

Simone Maria Rocha

179-200
- PDF (Portuguese)
The presence of noir patterns in Brazilian television police films

Anna Maria Balogh

201-213
- PDF (Spanish)
The discourse of participation: an immersion performance study in advertising

Elizabeth Moraes Gonçalves, Gustavo Moreira Zanini

214-229
- PDF (Portuguese)

Reviews

Television: technology and cultural form – From planned uses and effects to unanticipated uses and effects

Jaqueline Esther Schiavoni

230-237
- PDF (Portuguese)
Las rupturas del 68 en el cine de América Latina, edited by Mariano Mestman

Carolina Amaral de Aguiar

238-248
- PDF (Portuguese)
The cinema in the blooming city: “Salas de cinema e história urbana de São Paulo (1895-1930)”, by José Inacio de Melo Souza

Danielle Crepaldi Carvalho

249-257
- PDF (Portuguese)

Full Issue

Presentation

Apresentação

Articles

Pedagogies of cinema: montage

For a critical archeology of images in Aby Warburg, André Malraux and Jean-Luc Godard

Women behind the lens: the female presence on cinematography in Brazilian movies

The face and voice as suffering inscriptions in two road movies

By the face, we read the man: physiognomy in film

Body and voice in the contemporary cinema: considerations about Spike Jonze’s movie Her (2013)

Scenes at stake: the exacerbation of ambiguity

People as an intruder in Neighboring Sounds

The nostalgia of the 1950’s in the American cinema of the 1980’s: cases of Back to the Future and Blue VelvetThe nostalgia of the 1950's in the audiovisual culture in the Reagan Era: The Cases of Back to the Future and Blue Velvet

Visual Studies and an analysis proposal for the (tele)visualities

The presence of noir patterns in Brazilian television police films

The discourse of participation: an immersion performance study in advertising

Reviews

Television: technology and cultural form – From planned uses and effects to unanticipated uses and effects

Las rupturas del 68 en el cine de América Latina, edited by Mariano Mestman

The cinema in the blooming city: “Salas de cinema e história urbana de São Paulo (1895-1930)”, by José Inacio de Melo Souza

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