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Vol. 45 No. 50 (2018): Dossiê Os anos 1968 no cinema

View Vol. 45 No. 50 (2018): Dossiê Os anos 1968 no cinema

Número referente aos meses de julho a dezembro de 2018

Published: 2018-07-04

Full Issue

PDF (Portuguese)

Presentation

Presentation

Eduardo Victorio Morettin, Carolina Amaral de Aguiar, Ignacio Del Valle Dávila

12-21
- PDF (Portuguese)

Articles

“Cavação” and domestic cinema: ruptures and continuities in family pictures

Thais Continentino Blank

159-178
- PDF (Portuguese)
Considerations on the musical numbers of Brazilian chanchadas

Flávia Cesarino Costa

179-203
- PDF (Portuguese)
The word in motion in the film Sansho the bailiff, de Kenji Mizoguchi

Maria Schtine Viana

204-222
- PDF (Portuguese)
Documentary Cinema and Genocide: towards an integral approach

Lior Zylberman

223-238
- PDF (Spanish)
Successful drama TV series features and audience engagement

Sílvio Antonio Luiz Anaz

239-258
- PDF (Portuguese)
Mediation and dialogue in the telenovela Liberdade, Liberdade

Nara Lya Cabral Scabin

259-277
- PDF (Portuguese)
Paradoxical senses of TV identitty on internet

Suzana Kilpp

278-296
- PDF (Portuguese)

Dossier

“Revolution Writing”: Jean-Luc Godard’s cinétracts and the Art of May 1968

Dominic Topp

22-43
- PDF (Spanish)
Marcuse, the Great Refusal and cinema after May 68: an approximation

Leonardo Gomes Esteves

44-61
- PDF (Portuguese)
From utopia to disenchantment

Laécio Ricardo de Aquino Rodrigues

62-78
- PDF (Portuguese)
A grin without a cat: the subterranean sensitive matter of history

André Brasil, Julia Fagioli

79-101
- PDF (Portuguese)
The drafts of the Guinean nation in Madina Boé (1968), by José Massip

Alexsandro de Sousa e Silva

102-122
- PDF (Portuguese)
Revolutionaries, dictatorship and ruins to the sound of Villa-Lobos

Luíza Beatriz Alvim

123-142
- PDF (Portuguese)
Reflections about the Cinemateca do Museu de Arte Moderna of Rio de Janeiro in the late 1960s and early 1970s

Fabián Núñez

143-158
- PDF (Portuguese)

Traduções

The hour of the furnaces and the Italian political cinema

Mariano Mestman

297-317
- PDF (Portuguese)