Vol. 46 No. 52 (2019): Dossiê: História e Audiovisual

Número referente aos meses de julho a dezembro de 2019

Published: 2019-07-02

Full Issue

• PDF (Portuguese)

Presentation

• Presentation

  Eduardo Victorio Morettin

  • PDF (Portuguese)

Dossier

• The miseries of the needle of the cooperative Cinéma du Peuple a feminist movie in the early cinema

  Luiz Felipe Cezar Mundim

  • PDF (Portuguese)
  • PDF

• Paulo Emílio and the formation of historical studies of cinema in Europe

  Rafael Morato Zanatto

  • PDF (Portuguese)
  • PDF

• Night on fire, the Brazilian’s 1970s seen by Jean Garrett

  Laura Cánepa, Tiago José Monteiro

  • PDF (Portuguese)
  • PDF

• The independent Brazilian video political criticism in the producer Olhar Eletrônico

  Regilene Sarzi Ribeiro

  • PDF (Portuguese)
  • PDF

• Cold War and civil liberties, yesterday and today, in Bridge of Spies

  Fábio Luciano Francener Pinheiro

  • PDF (Portuguese)
  • PDF

• Life and the mud three cinematography seduced by memory

  Rogério Luiz Silva Oliveira

  • PDF (Portuguese)
  • PDF

• Portraits of identification the image-archive as memory protection

  Ricardo Lessa Filho

  • PDF (Portuguese)
  • PDF

Articles

• A cold shuder walks over all my body Mário Peixoto in England

  Denilson Lopes

  • PDF (Portuguese)

• Cinema and the technological capture of time

  Silvia Okumura Hayashi

  • PDF (Portuguese)

• Darkness, resistance and silence in Jean-Pierre Melville’s Le silence de la mer

  Waldemar Dalenogare Neto

  • PDF (Portuguese)

• “Ferris Bueller’s Day Off” postmodern hedonism and the Reagan era’s neoliberal morality

  Roney Gusmão

  • PDF (Portuguese)

• Tension in the ethnographic field the thought of Jorge Prelorán

  Javier Campo

  • PDF (Portuguese)

• Screen quota (Law Nº. 12.485/2011) and independent production on Pay TV

  Kátia Santos de Morais

  • PDF (Portuguese)

• On the edge of history analog photography, artists and wrong images

  Ludimilla Carvalho Wanderlei

  • PDF (Portuguese)

• The singularity of “Vereda tropical” under a bakthinian approach

  Alexandre Silva Guerreiro

  • PDF (Portuguese)

• Enfatizando o processo documentação e presença na performance audiovisual

  Ana Carvalho

  • PDF

Reviews

• Comments on Public spectacles of violence: sensational cinema and journalism in early twentieth-century Mexico and Brazil, by Rielle Navitski

  Carolina Azevedo Di Giacomo

  • PDF (Portuguese)

• Uruguay films itself practicing documentary, practicing history (1920-1990)

  Isadora Remundini

  • PDF (Portuguese)